Edward Knippers is a visual artist whose large-scale body of work spans 50 years of practice and explores various genres, including figurative, expressionism, abstraction, and cubism.
His work has been displayed in museums, galleries, and private collections worldwide and centers on the human body.
His paintings often depict scenes from biblical narratives and invite us to consider the goodness, brokenness, mystery, and glory of embodiment, urging us to grapple with the temptation to avoid, sexualize, downplay, or disparage the human form.
Image Journal said of Edward Knippers that he is "without a doubt, one of the founding fathers of contemporary efforts to explore the relationship between Christian faith and the creation of outstanding new visual art.”
Alongside garnering numerous awards and accolades, Ed’s work has been the subject of much controversy. It has been banned, defaced, and even mutilated. The nudity, sometimes violent or disfigured forms within his paintings, have left some viewers offended at his imaginative handling of the biblical narratives.
I had the honor of interviewing Edward live at Gordon Conwell’s Embodied Faith Symposium in Charlotte NC. In our talk, I ask Ed about the role of embodiment within his work, how he has handled his critics and what advice he would give to this generation of emerging artists.
Knippers self-portrait (Catherine Prescott, The Artist, Edward Knippers, Oil on panel, 12 x 9″, 2022, Private Collection)
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